Agnes Bennington College production of Dancing at Lughnasa. Designed by Richard MacPike. Dress draped and constructed by K. Kochi.	Anges with Rose Bennington College production of Dancing at Lughnasa. Designed by Richard MacPike. Agnes draped and constructed by K. Kochi. Rose draped by K. Strack-Grose.	Chris Bennington College production of Dancing at Lughnasa. Designed by Richard MacPike. Dress draped and constructed by K. Strack-Grose.
1930's Lounge Suit Designed, patterned, and constructed by T. Jae for DRA 4189 at Bennington College. Inspired by Noel Coward's Private Lives.	1940's Day Dress Designed, patterned, and constructed by K. Kochi for DRA 4189 at Bennington College. Inspired by Claire Boothe Luce's The Women.	Pip and Estella Bennington College production of Great Expectations designed by Richard MacPike. Pip tailcoat constructed by work-study student Yael Rose, Estella Dress draped and constructed by Brooke O'Donnell as part of a tutorial.
1880's Corset Developed by Bronwyn Malloney from a pattern in Jill Salen's book "Corsets: Historical Patterns and Techniques" fall '12.	1880's Corset Developed by Sierra Marcum from a pattern in Nora Waugh's book "Corsets and Crinolines" fall '12.	1880's Corset Developed by Yael Rose from a pattern in Nora Waugh's book "Corsets and Crinolines" fall '12.
1880's Corset Developed by Brooke O'Donnell from a pattern in Nora Waugh's book "Corsets and Crinoline" fall '12.	Fashion Line "Petrol'eau" A selection of garments from the Apparel Design Process and Pattern Development Class for fall '08. The Petrol'eau design and construction team consisted of Abbey Leibman, Kerry McCarthy, Laura Kung, Laura Fowkes, Elizabeth Esponnette, and Jeanne Douglass.	Fashion Line "Charlie and Louise" A selection of garments from the Apparel Design Process and Pattern Development Class for fall '08. The Charlie and Louise design and construction team consisted of Ellen Hyde, Samantha Krotz, Meghan Dowd, Nicole Castelli, and Emily Farina.
Celia Draped and constructed by Madeline Jones as a work-study project for a Cornell University production of "As You Like It." Designed by Sarah E. Bernstein spring '08.	Dolly Levi Patterned/draped as part of an independent study in pattern development by Amanda Perl. This project was then constructed by Richard MacPike for a Cornell University production of The Matchmaker designed by Sarah E. Bernstein spring '02.	1870 Opera Bodice Created by Penelope Hobbs spring '10.
1870 Opera Bodice Created by Stephanie Meissner spring '09.	1880's Opera Bodice Created by Madeline Jones spring '07.	1830's Opera Bodice Created by Eileen Driscoll spring '06. An adjoining line analysis overlay compares the original garment's design lines with its reproduction.
1870's Opera Bodice Created by Shannon Bulloch spring '06. An adjoining line analysis overlay compares the original garment's design lines with its reproduction.	1860's Opera Bodice Created by Veronika Zeppenfeld spring '04. An adjoining line analysis overlay compares the original garment's design lines with its reproduction.	1895 Opera Bodice Created by Joshua Burlingham spring '08.
1820's Opera Bodice Created by Amy Bravo spring '03.	Elizabethan Opera Bodice Created by Michelle Waite spring '03.